Ballet Hispanico, Photo: Paula Lobo
Ballet Hispanico, Photo: Paula Lobo
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BOSTON, MA: Boston Ballet presents "La Sylphide" this May 24–June 10

BOSTON, MA: Boston Ballet presents "La Sylphide" this May 24–June 10

Company:

Boston Ballet

Location:

Boston Opera House, 539 Washington St

Dates:

Thursday, May 24, 2018 - 7:30pm daily through May 25, 2018
Saturday, May 26, 2018 - 1:30pm daily through May 25, 2018
Friday, June 1, 2018 - 7:30pm daily through June 2, 2018
Sunday, June 3, 2018 - 1:30pm daily through June 2, 2018
Thursday, June 7, 2018 - 7:30pm weekly through June 9, 2018
Sunday, June 10, 2018 - 1:30pm weekly through June 9, 2018

Tickets:

bostonballet.org

Boston Ballet

BOSTON BALLET PRESENTS La Sylphide

August Bournonville’s Romantic Ballet Paired with Rarely-Performed BournonVille Divertissements

 

Boston Ballet’s 2017–2018 season concludes with La Sylphide, a program showcasing Danish choreographer August Bournonville’s romantic and tragic tale of La Sylphide and Bournonville Divertissements, a series of excerpts from his classic works. This program runs May 24–June 10, 2018, at the Boston Opera House.

La Sylphide is considered by many the epitome of Romantic ballet—with its timeless tale, storytelling through mime, and ethereal dancing. Paired with rarely-performed Bournonville Divertissements, this program is an excellent showcase of the Bournonville style of dancing,” said Artistic Director Mikko Nissinen.

 

La Sylphide

La Sylphide is Bournonville’s most famous ballet. Set in the Scottish Highlands, La Sylphide tells the fantastical tale of James, a man on his wedding day, who falls under the spell of a beautiful and ethereal woodland sylph. Tricked into accepting the help of Madge, an evil sorceress, he tries desperately to possess his newfound desire. This ballet showcases challenging, bravura solos for male dancers and light, buoyant jumps executed by the sylphs. The original production premiered in France in 1832 with choreography by Filippo Taglioni, but it is Bournonville’s 1836 revision with music by Herman Løvenskiold that has been performed in perpetuity.

This production includes additional choreography by Sorella Englund, who coached Boston Ballet dancers. Throughout her career as a ballerina with the Royal Danish Ballet in the 1970s, Englund performed major roles in several of Bournonville’s ballets—Madge from La Sylphide is one of her signature roles. Following her dance career, she has staged Bournonville works for several major companies. According to Alastair Macaulay of The New York Times, “Sorella Englund… has become the foremost interpreter of that choreographer’s mime roles today.”

Boston Ballet premiered Bournonville’s La Sylphide in 1988. It was performed again in 2005 and 2007 with additional choreography by Englund. Boston Ballet toured this production in Spain during the summer of 2007. Of the 2005 performance, Karen Campbell wrote in The Boston Globe, “Boston Ballet’s gorgeous…production of La Sylphide [is] deliciously sweet…the ballet’s only disappointment is that it leaves you wanting more.”

 

Bournonville Divertissements

La Sylphide is paired with Bournonville Divertissements, a series of rarely-performed excerpts from Bournonville’s extensive repertoire including the Jockey Dance from his last ballet From Siberia to Moscow, the pas de deux from Flower Festival in Genzano, and the pas de six and tarantella from Napoli.

Bournonville created Flower Festival in Genzano in 1858. While the full-length production hasn’t been performed since 1929, the pas de deux has survived and demonstrates Bournonville’s characteristic fleet-footed choreography.

Napoli was inspired by Bournonville’s travels to Italy. While it depicts the romance between a fisherman and a village girl, the ballet is truly Bournonville’s love letter to Naples. Napoli is the Bournonville style at its truest—the portrayal of everyday life, a happy ending, and virtuosic dancing.

August Bournonville (1805–1879) was a dancer and choreographer who directed the Royal Danish Ballet for nearly 50 years and established the Danish style based on bravura dancing and expressive mime. He choreographed more than 50 ballets during his lifetime, most notably La Sylphide, Napoli, and Flower Festival in Genzano.

 

Related Events

Fairy Wings Mural on The Greenway: May 6–June 10

Acclaimed street artist Kelsey Montague will create a new mural inspired by Boston Ballet and La Sylphide on the Rose Kennedy Greenway across from the Carousel. She will finish the piece on May 6, and it will be displayed through the run of La Sylphide performances. Montague’s murals invite participation, blending the human experience with the art work. Visitors are encouraged to snap pictures of themselves in front of the fairy wings and share on social media tagging @BostonBallet and using the hashtags #BBSylphide and #WhatLiftsYou.

 

Build a Fairy House Village on The Greenway: May 12 at 11–3 pm (Rain date: May 19)

Hosted by the Rose Kennedy Greenway and Boston Ballet, individuals are invited to build a village of fairy houses near the Greenway Carousel and place their house on the nearby lawn. Natural materials will be provided.

All performances of La Sylphide will take place at the Boston Opera House (539 Washington St, Boston, MA 02111)

*Indicates post-show talk

Tickets start at $35. For more information, visit bostonballet.org or call 617.695.6955.

La Sylphide performance length is approximately 2 hours and 30 minutes including 2 intermissions.

Conducted by Beatrice Jona Affron

Bournonville Divertissements
Choreography: August Bournonville
Lighting Design: John Cuff

Pas de deux from Flower Festival in Genzano
Music: Edvard Helsted

Jockey Dance from From Siberia to Moscow
Music: C.C. Møller

Pas de six and Tarantella from Napoli
Music: Holger Simon Paulli
Original Costume Design: Jens Jacob Worsaae

La Sylphide
Music: Herman Severin Løvenskiold
Choreography: Sorella Englund after August Bournonville
Costume and Scenic Design: Peter Cazelet
Lighting Design: John Cuff

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